The Open Road

Evening Train, Trans Canada Highway, by Robin Weiss

I have always been interested in paintings of expressways, which is helpful when I’m driving as much as I have been since July. This week’s road follies were not intentional, being precipitated by a set of personal crises on either end of New York State. I saw a lot of Interstate 90 this week, and repeatedly.

Study for Freeway,1978, by Wayne Thiebaud

To the artist, painting is more about the play of color, shape and texture than it is about subject, but I’ve noticed that viewers don’t generally feel that way. They select paintings based on a personal, emotional, call and response.

Lost Highway, by Peter Harris

The open road is neutral, although to many of us, it’s the thing that stands in the way of getting where we’re going. In their own gangly way, our expressways are beautiful.  Like me, the Interstate Highway System itself is a prime example of mid-century modern. Authorized in 1956, the first sections were completed that same year (although in some states, including New York, previous highways were incorporated into the system).

Untitled by Rodgers Naylor

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Boy Genius

Illustration from Norman Rockwell's second year as a professional artist. He was all of 19 years old.

Spending time in the Berkshires this week, I got to wondering what artist might be identified with this area.

Norman Rockwell is most famous for the cover illustrations he did for The Saturday Evening Post. Born in New York, he attended both the National Academy of Design and the Art Students League. By age 18, he had a published book illustration to his credit. That year he was hired as an illustrator for Boys’ Life. At 19, he was promoted to be their art editor, in which role he did his first cover illustrations.

It's absurd to try to choose a favorite from his many illustrations for the Saturday Evening Post. Rockwell layered images rather than trying to create a full-dimension space; this is a great example of that technique.

At age 21, he submitted his first cover illustration to the Saturday Evening Post.He was published eight times total on the Post’s cover within that first year. Over his career, Rockwell did 323 original covers for the Saturday Evening Post.

Rockwell painted his most famous works, the Four Freedoms series, in 1943. It took him seven months. The series was inspired by a speech by President Roosevelt, in which he described four principles for universal rights.

When he wanted to create a fully realized space, however, he had the chops. Freedom from Want's Puritanical white-on-white tablecloth brings the faces into focus, and they are an essay in optimism in the dark days of WWII. 

In 1953, Rockwell and his family moved to Stockbridge, Massachusetts. From 1961 until his death in 1978, Rockwell was a member of the Monday Evening Club, a men's literary group based in Pittsfield, Massachusetts, which is where my daughter lives, and where I regularly stop on my trips back and forth to Maine.

Rockwell's portrait of his adopted Stockbridge, MA, would do any landscape painter proud.

The early part of the 20^th century is often called the Golden Age of Illustration. Why were so many fine 20^thcentury illustrators able to do such fine work at such young ages? In part, there was an expectation that people in their late teens were fully formed adults, capable of bearing adult responsibilities. In part, the schools were teaching traditional drafting and drawing.

Message me if you want information about next year’s workshops.-*

So you want to learn to paint

Autumn is the best time of the year to paint en plein air in Rochester. The light is beautiful, the foliage is an ever-changing kaleidoscope, and the weather is usually more stable than in summer.

If you’re a new painting student, we’ll start by experimenting with different kinds of media, learning the fundamentals of drawing, and then concentrating on the process by which pigment goes from the tube to the canvas.

If you’re an experienced painter, we’ll develop processes for mixing clean color accurately and quickly, talk about the difference between studio painting and painting outside, and work on composition.

When the weather closes in, we segue to working in my studio, which is located at 410 Oakdale Drive, Rochester, NY 14618.

Saturday lessons begin on September 13; Tuesday lessons begin on October 7. Both classes are from 10 AM to 1 PM. Tuition is $100 a month.

While I assume most readers already know who I am, my bio can be found here. For more information, email me here.

Message me if you want information about next year’s workshops.